Saturday, January 28 – Sunday, February 19, 2017 Opening Reception: Saturday, January 28, 4 – 6 pm
Monday January 9 11 A.M. Tour of the building 12 P.M. Talk by John Dugdale Bradley 12:30 P.M. Luncheon 1:30 P.M. Other Speakers TBA 2 P.M. Terrance Lindall, whose illustrations for Paradise Lost appeared in Heavy Metal Magazine, talks about Satan as Anti-hero, a necessary being in God’s Universe! Bienvenido Bones Banez plays his wild THE SATANIC RHAPSODY on piano!
Wonderful video concept by Banez about the surreal nature of Yuko’s Dunes; Bien comes to the Yuko Nii Retro Reception: Bien’s coverage of the Deputy Borough Pres. speech:
The Yuko Nii Retrospective November 5th 2016 – January 8th 2017 Celebrating the 20th Anniversary of the WAH Center Part 1 “Dune”: November 5 – December 4, 2016 Opening Reception “Dune” series: Saturday, November 5th, 2016 Limited Edition Color Catalogue is available
Exhibition October 8 – October 23, 2016 Opening Saturday, October 8 from 4-6 PM Dinner with the Devil 7-10 PM, early tickets $30
Celebrating the 20th Anniversary of the WAH Center Saturday, November 5th, 2016, 4-8 PM Part 1 “Dune” exhibition: November 5, 2016 – January 11, 2017
September 10─October 2, 2016 Opening reception: Saturday, Sept. 10th, 4:00 – 6:00 p.m.
Saturday, June 11, 2016 Williamsburg and Greenpoint 12:30 PM Check-in (Kinfolk 90, 90 Wythe Avenue) 1:00-5:00 PM Sites Open Open House New York invites you to Field Guide, a one-day event that explores a single neighborhood through its buildings. The WAH Grand Reception Hall will be open and Terrance Lindall will be there to talk about the history of Williamsburg and the Kings County Savings Bank Building.
“Artist’s Talk,” featuring Sunil Garg, William Norton, and Cornelia Jensen on Saturday, April 23rd, 2016, from 4pm to 6pm.Sunil Garg: 00:42William Norton: 38:45Cornelia Jensen 52:44Exhibition page:https://wahcenter.net/2016/03/wah-light-form-and-symbol/
As a continuation of the WAH Center’s technology and art exhibition series, WAH: Light, Form, and Symbol challenges a narrowed scope of light as formal technique, actively interrogating the subject object relation within newly re-conceived experiential moments. The gallery space opens up as a critical site for aesthetic evaluation, where striking symbolic and conceptual dimensions […]